

PEOPLE INVOLVED IN THE PROCESS:
Marina Mathey
Tenca Silva
Rudá
The Turbulence-Words to Animals
MARINA MATHEY
14/03 > 11H
15/03 > 11H
GALPÃO RENÉE GUMIEL || FUNARTE SP
Alameda Nothmann, 1058 - Campos Elíseos
30min
Free
Audio Transcribed
Novarina is one crazy dude, right? And we came across The Turbulence with the perspective thatmaybe he didn’t even realize he had written this text for a travesti. Just as he creates hisneologisms, we create our pajubá to communicate, to encode our language — he hides things inorder to reveal them.In this way, we also found a path to philosophize about our existences, to talk about death,about thesacred, about our childhoods, about our lives, our fragmented memories. Somehow,we gather the shards that have been scattered along the paths of our travesti lives — but throughNovarina’s words.
Bio:
Three travestis navigating labyrinths of language. Three. One on stage, one directing,andanother weaving the tricks of words. Everything is born from encounter. The meeting betweenthem and the textL'Inquiétude, from the bookLe Discours aux animaux. An encounter that firsttook place in 2013 between Marina—the performer—and the Restlessnesswithin the contextof USP’s School of Dramatic Arts. The same school where the artist studied for four yearsalongside Tenca—the director. Rudá—the dramaturg—joined later, but it was they whoreignited Marina’s desire to stage this play.Now, unlike eleven years ago, the three embrace their travesti identities and, because of this,approach the material with eyes and experiences capable of capturing more deeply the veryreasons that first made the performer fall in love with the text.