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HBLYNDA IN TRANsit

HBLYNDA MORAIS

16/03 > 12H
17/03 > 13H
GALPÃO ARQUIMEDES RIBEIRO || FUNARTE SP
GALPÃO RENÉE GUMIEL || FUNARTE SP
Alameda Nothmann, 1058 - Campos Elíseos
50min
Free

HB_LYNDA_MORAIS_edited.jpg
HBLYNDA EM TRANSitoHBLYNDA MORAIS
00:00 / 02:05

PEOPLE INVOLVED IN THE PROCESS:

HBlynda Morais
Emmanuel Matheus
Corpo Rastreado

Juliana Couto
Raphael Venos
Cleison Ramos (Farol Atelier da Luz)

  • Instagram

Audio Transcribed

Hello everyone, my name is HBlynda Morais, I’m from Recife, Pernambuco, and I’m an actress, playwright, and cultural producer. I’m here to talk a little about what the solo piece HBLYNDA IN TRANSit will be. 
 
Being in transit is going, coming, passing through, flowing, a path, a crossroads. Being in transit is moving, walking, and this solo performance will seek to talk about that—about the paths my transition has led me through, the journeys I have taken. It is not static, it does not stand still—it is upheaval, it is movement, it is flow, it is time, it is passage. 
 
So, HBLYNDA is here to talk about life, about dreams, about achievements, carried by dance, carried by music. You will witness a solo performance blending multiple artistic languages so we can talk about trans lives—lives that matter deeply. Here, I don’t want to talk about death. Here, I don’t want to talk about statistics. I want to talk about victory, about the places we have reached and the places we will still reach. HBlynda is precisely this journey—because being in transit is being alive. 

Bio:

HBlynda Morais, black, fat, candomblé practitioner, and non-binary. From Paulista, Pernambuco. She is a master's student in the Contemporary Education Postgraduate Program at UFPE. She holds a degree in History from the University of Pernambuco (UPE). She is part of the Research Group on Processes of Subjectivation, Education, Gender, and Sexualities (CNPQ), the History and Gender Studies group at UPE, and the Gender Working Group of the National Association for Historical Research (ANPUH). Her main research focuses include: Education, Identities, Gender and Sexuality, Queer Theory, and Ethnic-Racial Relations. She works as an Actress, Playwright, Researcher, and Cultural Producer. Her latest works in the performing arts include: A podridão que há em mim (2016), Nostradamus (2018), Diário da Independência (2019-2021), Intrusos (2019), Ubuntu: Uma linda aventura na Floresta Afrobrasilândia (2021), and Narrativas Encontradas Numa Garrafa Pet na Beira da Maré (2023).

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