Audio Transcribed

An Extraordinary Experimental Song is a study that seeks to challenge the relationship between gesture and voice, bringing the voice as an extension of movement and connecting the extraordinary with the experimental through very simple, everyday, and ordinary actions, using repetition as a key element. It is not about repeating the same, but rather revealing differentiation. 

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Bio:

BEATRIZ SANO, concept and creation. Choreographer, dancer, teacher, and researcher. She earned her undergraduate and master's degrees from Unicamp. In her original pieces, she has increasingly been relating voice and movement as inseparable parts of dance creation. She has been a member of Key Zetta e Cia since 2009 and has established artistic partnerships with Eduardo Fukushima, Júlia Rocha, and Isabel Ramos Monteiro. In 2014, she was awarded the Rumos Itaú Cultural grant in the residency category under the guidance of Toshi Tanaka. In 2015, she won the Denilto Gomes Award from the Cooperativa Paulista de Dança as the breakthrough dancer for the piece SIM by Key Zetta e Cia. 

In 2022, she collaborated with the Japanese theater company Okazaki Art Theatre, directed by Yudai Kamisato. Her main creations include: Solo (2014), Estudo de Ficção (2017), Imagine (2019), O que mancha (2021), Tudo de novo (2022), and Horizonte (2023). 

In May 2024, she participated in the Kunstenfestivaldesarts in Brussels, and in June of the same year, she co-choreographed, along with Eduardo Fukushima, the piece Horizonte + for the Balé da Cidade de São Paulo, presented at Theatro Municipal de São Paulo, sharing the program with Piedad Salvaje by Judith Sánchez.